Keshto Mukherjee started his cinematic journey with Ritwik Ghatak’s Nagarik in 1952 but neither lived to see the success as the film was released more than two decades later.
OTT content like Dasvi or Panchayat 2 may have women leads. But their rise to power is often inorganic—the disturbing trend mirrors India's widening gender gap.
Mothers like Sheel, Aarya, Rukhsana, and Devki have no remorse for blurring the line between right and wrong. Hindi cinema has moved on from typecast roles.
Tamil film industry used to be like any other Indian film Industry about a decade ago. But then it delved into anti-caste movies that even Hindi and Bengali new wave films didn't.
New Delhi, Nov 16 (PTI) The National Financial Reporting Authority (NFRA) will carry out audit quality inspections of five audit firms, including the...
No matter what tactics, doctrine, or weapon system is used, the objective of any war is to control territory, argues Gen. MM Naravane (retd). But it's politics that matters most.